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</td><td><font size="5">September 2003 </font></td>
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Jason Little : <B>Shutterbug Follies</B>
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<img align="right" src="illo/bee.gif" title="Bee on the job" alt="Bee on the job">

Bee, orange-haired and 18 years old, is a clerk in a photo store in New York, with a bad habit of making extra copies of the pictures she processes, to chuckle over with her friend Lyla.  And then she finds that the pictures taken by a Russian guy named Oleg, who claims to be an artist and a journalist, may point to a murder, and she can't help investigating...

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Bee is essentially a <A HREF="frenchy.html#Tintin">Tintin</a> for the '00s: plucky, resourceful, and occasionally a step behind rather than ahead of the suspicious folks she investigates.  Although she's not quite so focussed as the boy reporter: while trailing bad guys, she finds the time for a date or two.

<p>The art is stylized, with beautiful colors, and some neat comics tricks (e.g. the use of the photographs and negatives Bee is looking at as panels).  It makes a satisfying thriller, with a bittersweet ending.  I've never heard of this guy before, but I hope he does much more of this.

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Bill Willingham : <B>Fables</B>
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Sometimes someone has a killer idea.  Suppose all the characters from fairy tales-- Snow White, Bluebeard, the Big Bad Wolf, Beauty and the Beast, and many more-- had to move to New York, bury their differences, and make a living.  Cool, eh?  This is such a good idea that even Hollywood could hardly muck it up.  And it gets better: murder mysteries!

<p>Snow White's sister Rose Red is missing, and her apartment is full of blood.  B. Wolf, Fabletown's chief of security, is on the case.  And pay attention: it's an honest detective story, where you can put the book down just as the hero announces he's solved the case, and match your wits with his.

<p>It's a lot of fun, and my wife loved it too (which I usually take as a good indication of whether non-comics-geeks will like something).  My only cavil is the art.  It's competent, about the level of the majority of <i><A HREF="bob26.html">Sandman</a></i>... but that's simply not very exciting-- illustrative rather than evocative.  Occasionally, for instance, there's an attempt to jazz up the panel borders, but it only makes <A HREF="bob39.html#2"><i>Promethea</i></A> look that much better.  The original covers are gorgeous, though.

<p>There are two TPBs out, and I hope more to come.


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Marjane Satrapi : <B>Persepolis</B>
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<img src="illo/marjane.gif" title="Marji in class" alt="Marji in class" align="left">

A kid's eye view of the Iranian Revolution.  Marjane is about ten when the revolution breaks out.  She lives with her parents in a good neighborhood in Tehran, and goes to a French school; her family is fairly Western-oriented-- and for a Third World nation, somewhat spoiled-- and has a number of leftist friends, including an uncle who was imprisoned by the Shah.

<p>Slowly but surely the revolution intrudes on their enclave: the colleges are closed; gangs of religious enforcers hassle beardless men and unveiled women; schoolteachers begin teaching Islamist boilerplate.  And then the war with Iraq begins; soon teenage boys are being sent en masse to die at the front, missiles bombard Tehran, and the government takes advantage of the confusion to kill off dissenters.

<p>It's grim when the situation warrants; but the tone is usually light (aided by Satrapi's cheerful cartoonish drawings).  The revolution fascinates Marjane, but as a kid it's hard to take seriously-- as in the scan, where she and her classmates can't resist having fun even as they're made to knit hoods for the fighters.  Marjane is an Islamist one day, a resister the next; at the same time she's discovering boys, and listening to Kim Wilde and Iron Maiden.

<p>Don't be afraid of the alien language there; <i>Persepolis</i> has just been published in English.


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