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</td><td><font size="5">December 1999</font></td>
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Frank Cho: <B>University<sup>2</sup>, Liberty Meadows</B>
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Cho's University of Maryland strip, <b><i>University<sup>2</sup></i></b>--
available as a trade paperback, <i>University<sup>2</sup>: The Angry
Years</i>-- was anarchic, beer-soaked, and hilarious.  A quartet
of animals-- Frank the duck, Ralph the hostile gerbil, Dean the pig,
and Leslie the lima bean-- is mistakenly shipped to the admissions
office; they promptly enroll, and join a frat.  Besides a few other
fratboys, the only other major cast member is Brandy, the busty babe
that Frank falls for.

<p>I have about zero interest in frat life, but I love Cho's strip-- 
not least because he revels in showing it at its worst,
catatonic hangovers, projectile vomiting, sleazy pick-up lines, 
filthy bathrooms, and all.  Ralph and Leslie keep things lively
with practical jokes, putdowns, and yo' mama jokes; Dean gets kicked
in the nuts by angry coeds, and Brandy discovers that she has a
taste for short waterfowl.

<p>Cho is an amazing artist... I've seen more than my share of 
college strips, and none of them were half as good at rendering
or cartooning.  It is a bit disconcerting that the women are all
rendered as over-endowed babes, while the men are cartoons-- or 
cartoon animals.  It's what Alison Bechdel points out as the 
"men are normal, women are a separate species" cartooning meme.
Still, it works in <i>University<sup>2</sup></i>, largely because
it reproduces the fratboy mindset: to these lugs, whose world 
otherwise consists largely of television, beer, and the porcelain
bus, women <i>are</i> a mysterious
other species.  And to his credit, Cho never makes the women bimbos.
Brandy is shown as intelligent-- though she never gets the good lines.

<p>After college, Cho reengineered the strip into the syndicated
<b><i>Liberty Meadows</i></b>.  It was apparently felt that
John Q. Public was able to accept talking animals, but not talking
animals enrolled in college and dating brunettes; and so the strip
is now set in an animal sanctuary, and Frank is now a short but
decidedly human doctor.  (Also, Ralph is now a "midget circus bear"...
gerbils are too weird?-- and Leslie is a bullfrog.)  To retain the
duck factor, however, a childish duckling named Truman was added.

<p>In general the humor has been toned down a notch, and everyone's
gotten a shave.  
Cho's drawing has only improved with time-- he's one of the few
newspaper artist who can draw an impressive nature scene, or 
fill the Sunday strip with accurate parodies of the pulp comics
of yesteryear.  Brandy is still a bit of an alien species,
but at least Frank now joins her in Well-Rendered Land.

<p>The college strip was more madcap, but also more limited in
subject.  <i>Liberty Meadows</i> has a number of new elements:
Julius the director's feud with man-sized catfish Khan;
Truman the duck (for excursions into <i>Mutts</i> territory);
<i>Calvin</i>-like fantasias of giant apes and dinosaurs.

<p>It's one of the funniest
newspaper strips out there... if your newspaper has the gumption
to print it.  If not, it's available as a comic book, which has
the additional advantage of printing the original punchlines when
the syndicate censored them.  It also reads better in bulk,
when the occasional misfired joke can be skipped, and the 
slapstick sequences can build some momentum.



<blockquote>

<p><img align=right src="illo/cho.jpg" title="Frank, Brandy, Ralph, Leslie">

<b><font color="#FF0000"><a name="this">This just in</a></font></b>: Apparently the cartoon literati just don't dig
<i>Liberty Meadows</i>.  The rag that thinks
<i>Dennis the Menace</i> is a classic, <i>The Comics Journal</i>, ran a review dissing Cho for
bad drawing, of all things.  Have they <i>looked</i> at Cho's work?
(See sample at right.)  Have they looked at what passes for comic art
elsewhere on the newspaper page?

<p>The word on the net is that Cho is a shameless plagiarist.
The usual source mentioned is <i>Bloom County</i>; <i>TCJ</i> even listed
character-by-character matchups... if they really think Frank is much like
Milo Bloom, or Brandy is a rehash of Lola Granola, they need their critical 
front-end realigned.  (<i>Bloom County</i> was widely accused of copying
<i>Doonesbury</i>.  So, is <i>Liberty Meadows</i> a third-hand <i>Doonesbury</i>?)
Comics fans should be capable of a better analysis than "It has a mixture
of animals and people, so it's the same as Berke Breathed."

<p>Cho also does snowman fantasies &agrave; la <i>Calvin & Hobbes</i>.  Dudes,
that particular joke is &copy; 1958 by one Charles Schulz, OK?

<p>The best answer to this canard, however, is  to read <i>University<sup>2</sup></i>.
The syndicated strip is very obviously a refit of the college strip, 
which is completely unlike <i>Bloom County</i>.  (No, Steve Dallas
doesn't make <i>Bloom County</i> a frat strip, any more than Schroeder
makes <i>Peanuts</i> a music strip.)

</blockquote>

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Leanne Franson: <B>Liliane</B>
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<img src="illo/liliane.gif" alt="Liliane" title="Liliane" align="left">

Franson is one of the steadiest of minicomics creators; <i>Liliane</i>,
half the size of regular comics, has reached #32.  There are now
two collections available, <i>Assume Nothing</i> and <i>Teaching
Through Trauma</i>.

<p>Unlike <a href="bob1.html#2">Alison
Bechdel</a>, Franson's comic is autobiographical, centering
on Liliane, a Canadian "bi-dyke".  (Close as I can figure from
the strip, that means she's a lesbian, but don't hassle her if she
occasionally sleeps with a guy.)  She also concentrates less on
strips (though there are some of these, from a period of syndication
in alternative papers) than on extended essays, on various themes: her problems
trying to get pregnant, working for a sex hotline, 
butches, the Michigan Womyn's Music Festival, 
relationship problems, etc.

<p>The art is cartoony-- Liliane herself is an oval with dots
for eyes and no nose-- but expressive.  (The simple art seems to
be an artistic choice: her day job is as a
children's book illustrator.)  That and Franson's general
good humor probably account for the light feeling of the comic,
despite the heavy themes that she sometimes takes on.
(She rarely expresses political views, unlike Bechdel.)

<p>One added plus is the setting in Montr&eacute;al, which imparts
a slight exotic flavor (as does a sojourn in London).  
You may enjoy this more if you know French, though she does
provide translations for the snippets of French she uses.

<p><b>How to find it</b>: If your comics store doesn't have it,
the bastards, write to Leanne Franson at
<a href="mailto:[email protected]">[email protected]</a>.


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