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                            <td height="20" colspan="2" align="left" valign="top" class="navbar"><div align="left"><a href="textiles.html">Textiles</a> <span class="bodygrey">> </span><a href="modern-textiles.html">Modern Textiles</a> | <a href="costume-accessories.html">Costume &amp; Accessories</a></div></td>
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                            <td height="100" align="left" valign="middle"><span class="detailpagetitle"><em><strong>Gradations</strong></em></span><br>
                            <span class="detailsubtitle">Screen-printed linen by Elenhank Designers, Inc.<br>
American (Chicago), 1977</span></td>
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                                <div class="detailheadings" style=" margin-bottom:5px"><strong>Description</strong></div>
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                                  <p>In the early 1950s, Elenhank, the Chicago-based design team led by husband and wife Henry and Eleanor Kluck (and so-called as a portmanteau of their first names), began creating what they termed &#8220;random prints,&#8221; block-printed lengths of linen that could be arranged in various pattern configurations. The couple took commissions from their Chicago home, with Eleanor cutting the linoleum.</p>
                                  <p>After much success, including a commission for the ticket counters at O'Hare Airport, Elenhank turned to the more efficient process of screen-printing, allowing them to take their vision of organicism in upholstery and drapery one step further with &#8220;mural prints,&#8221; horizontally-oriented landscapes  which could serve as drapery or wallcovering and gave the effect of a mural.</p><p>
                              From the early 1970s, the Klucks opted for increasingly abstract designs while maintaining versatility in interior decorating as well as connections to nature. <em>Gradations</em> uses five screens to create a bold pattern that is at once geometric and geological, suggesting mathematical rigidity, the shifting of tectonic plates, and even the tones of a sunset, moving slowly from goldenrod yellow to deep aubergine.</p>
                              <p>A length in shades of brown is in the collection of the Cooper Hewitt Smithsonian Design Museum (1985-84-22).
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                                <div class="detailheadings"><strong>Size</strong></div>
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                                  <p>95 x 52 in. (241.3 x 132.08 cm)</p>
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                                <div class="detailheadings"><strong>SOLD</strong></div>
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