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                                <td height="105" align="center" valign="top"><span class="detailpagetitle"><strong><em>Iris d'eau</em> roller-printed cotton</strong></span><br>
<span class="detailsubtitle">F&eacute;lix Aubert for Scheurer, Lauth & Cie.<br>
French (Thann, Alsace), ca. 1897-98<br>
24 x 19 in. (60.96 x 48.26 cm), mounted<br>
$950 | <a href="mailto:[email protected];?subject=Felix Aubert_P2638k-Inquiry">Inquire</a></span></td>
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									<a href="images/textiles/modern/AubertIris_P2638k_detail.jpg" data-lightbox="image-atq2"><img src="images/textiles/modern/AubertIris_P2638k_detail.jpg" width="480" style="padding-left: 15px; float: right;"></a>
                                   Trios of irises and waves undulate in <em>Iris d'Eau</em>, artist, designer, and lacemaker F&eacute;lix Aubert's ode to the flower, <em></em> produced in a plain-weave cotton, like this sample, and ina cotton velvet by the Alsatian firm Scheurer, Lauth et Cie. 
								  <p>F&eacute;lix Aubert was a major proponent of marrying the fine and decorative arts, and a founding member of Groupe des Cinq and Groupe des Six, forerunners of the <em>Art dans tout</em> movement whose tenets included truth to materials and form following function in the luxe arts: &quot;artistic honesty&quot; as the members defined it at their first public exhibition of 1896. The Groupe des Six chose <em>Iris d'Eau </em>to cover the walls of the Galerie des Artistes Modernes in 1898. At the 1900 Exposition Universelle, Aubert exhibited a collection of his printed textiles produced by Scheurer, Lauth &amp; Cie., including a design similar to the present cotton.                              
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