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<title>Jacques Adnet,Adnet,Modernism,French Modernism,French 40s,French 50s</title>

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      <br>
        <span class="header2_dark">Ren&eacute Herbst:<br>
        1891-1982 </span><br>
        <br>
      Architect and interior designer, he fought to promote quality furniture 
      accessible to all throughout his life . <br>
      <br>
      His art is characterized by its pared down character, rigorous conception, 
      simple volumes, true angles, flat surfaces, and refined choice of materials.<br>
      <br>
      A pioneer of metal use in France, he foresaw the democratization of furniture 
      by creating works in series. By 1925, he had introduced nickel-plated steel 
      tubing in his furniture. <br>
      <br>
      His precursor theories weren't accepted so he created most of his pieces 
      himself in small series.<br>
      <br>
      He designed numerous shops like Puiforcat in 1936. He first exhibited at 
      the Salon d'Automne in 1921, and in 1925, as a jury member for the Exposition 
      des Arts d&eacutecoratifs, he oversaw the installation of shops, both his and 
      others', on the Alexandre III bridge. His furniture is remarkably modern.At 
      the Pleyel piano showroom, he presented a mahogany and metal grand piano.<br>
      <br>
      In 1929 Ren&eacute Herbst and fellow architect - designers founded the Union des 
      Artistes modernes. At the first U.A.M show in 1930, he presented the Pleyel 
      piano on the Alexandre III bridge. Between 1930 and 1932, he renovated the 
      Aga Khan's townhouse on rue Scheffer in Paris.<br>
      <br>
      Numerous metal tube chairs were created during this period. For many the 
      seat backs and seats were made of simple "tendeurs". A chaise longue with 
      an adjustable chair back of telescoping tubes was created for the Maharadjah 
      of Indore. Finally, he created juxtaposable element furniture in chrome-plated 
      metal. <br>
      <br>
      For the Exposition des Arts et Techniques in 1937 he participated in the 
      installation of the U.A.M. and Advertising pavilions. He became president 
      of the Union des Artistes modernes in 1946 after the death of Robert Mallet-Stevens. 
      <br>
      <br>
      In 1952, he furnished the restaurant Prunier on rue Duphot in Paris, and 
      in 1955 one in London. <br>
      <br>
      In 1955 he published a book on his twenty years of experience with the U.A.M. 
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