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<th width="65" height="6983" scope="col"> </th>
<th width="525" align="left" valign="top" scope="col"><p class="style71"> </p>
<p class="style71"><a href="index.html" onmouseout="MM_swapImgRestore()" onmouseover="MM_swapImage('Image151','','FLON100B-txt-prongs!.jpg',1)"><img src="=FLON100B-txt-MINI.gif" alt="" name="Image151" width="100" height="110" border="0" id="Image151" /></a></p>
<p class="style55"> </p>
<p class="style59"><span class="style84">Ebon Fisher<span class="style76"><br />
</span><span class="style34">RECENT EVENTS</span></span><br />
</p>
<p class="style65"> </p>
<p class="style65"><span class="style77"><span class="style83"><br />
<span class="style34">THE GOTHAMIST<br />
<span class="style86">with the Brooklyn Immersionists and an Installation by Ebon Fisher</span></span></span></span><span class="style77"><span class="style34"><a href="http://www.fsexperience.com"><span class="style19"><br />
</span></a></span><span class="style19">Thursday, January 12, 2012<br />
<span class="style76"><span class="style98">LINK:</span> <a href="http://gothamist.com/2012/01/12/williamsburg_2.php#photo-1">Photos, Videos, Articles & More from the Late '80s and Early '90s Williamsburg<br />
</a></span></span></span></p>
<p class="style65"><img src="Gothamist-4-NP-mini.jpg" width="500" height="846" /></p>
<p class="style65"><span class="style19"><br />
The story above references the <em>Brooklyn Immersionists</em> which Ebon Fisher co-founded. </span><span class="style19">The image in the story includes a glimpse of the following installation by Fisher. It is being used by the <em>Melanie Hahn Roché Dancers</em> (Hahn, Stavit Allweiss and Keita Whitten are in the photo along with several other <em>Roché</em> dancers).</span><br />
<br />
</p>
<p class="style65"><img src="suction-reflection-mini.jpg" width="286" height="377" border="22" /></p>
<p class="style65"><br />
<br />
</p>
<p class="style65"><span class="style77"><span class="style19"><span class="style83"><span class="style34">HUFFINGTON POST</span></span><span class="style34"><a href="http://www.fsexperience.com"><br />
</a></span>Excerpt from April 19, 2011<br />
<span class="style76"><span class="style98">LINK:</span> <a href="http://www.huffingtonpost.com/artinfo/was-the-hipster-really-al_b_849619.html">Was the Hipster Really All that Bad?</a></span></span></span></p>
<p class="style65"><span class="style77"><em><span class="style96"><img src="Hipsters.png" alt="Hipsters in Williamsburg, Brooklyn" width="631" height="529" border="26" /></span></em></span></p>
<p class="style55"> </p>
<p class="style55"> </p>
<p class="style55"><span class="style77"><img src="RestlessYouth.Kim.jpg" width="250" height="166" border="1" /></span></p>
<p class="style55"><span class="style34"><span class="style83">RESTLESS YOUTH</span><a href="http://www.fsexperience.com"><br />
</a></span><span class="style86">Monday, March 28, 2011</span><br />
<span class="style85"><br />
</span><span class="style34">KIMMEL CENTER for the PERFORMING ARTS</span><br />
Merck Arts Education Center<br />
260 So. Broad Street<br />
Philadelphia, PA 19102<a href="http://www.fsexperience.com"><br />
<span class="style79">.</span><br />
</a>The Philadelphia International Festival of the Arts (PIFA) presents conversations on <br />
youth, technology and community with<br />
<span class="style79">.</span><br />
<span class="style34">EBON FISHER</span> media artist, Member of the Faculty, Moore College of Art & Design<span class="style34"><br />
DR. DEVON POWERS</span> Asst. Professor of Communication, Drexel University<span class="style34"><br />
ARI MELMAN
</span>Urban Playground, Philadelphia<span class="style34"><br />
YOUTH UNITED for CHANGE<span class="style19"> (various members)</span><br />
ART & SPIRITUALITY CENTER<span class="style19"> (various members)</span><br />
PHILADELPHIA STUDENT UNION</span> (various members)<span class="style34"><br />
<br />
HOMER JACKSON</span> Host<span class="style34"><br />
</span></p>
<p class="style55"><span class="style34">At Kimmel below:</span> Ebon Fisher on left with microphone; Homer Jackson, center; Ari Melman, front right.<br />
<span class="style72"><br />
</span><img src="Ebon_Fisher_Kimmel3.png" alt="Ebon Fisher at Kimmel" width="600" height="242" border="2" /><a href="http://www.fsexperience.com"><br />
<span class="style97">Photo by Tony Rocco</span><br />
<span class="style79">.</span><br />
</a></p>
<p class="style55"> </p>
<p class="style55"><span class="style34"><br />
<span class="style83">THE NEW YORK TIMES<a href="http://www.fsexperience.com"><span class="style19"><br />
</span></a></span></span><span class="style87">Sunday, July 25, 2010</span></p>
<p class="style55"><img src="Adjuncts.png" alt="Adjuncts" width="684" height="662" /><br />
</p>
<p class="style55"> </p>
<p class="style55"><span class="style34"><br />
</span></p>
<p class="style59"><span class="style83">MoMA PREMIERE:</span><br />
DOCUMENTARY ON THE BROOKLYN RENAISSANCE<br />
</p>
<p class="style55">"Brooklyn DIY" by Marcin Ramocki Premiering at<br />
<span class="style34">MUSEUM OF MODERN ART</span><br />
The Roy and Niuta Titus Theater 1<br />
11 West 53 Street, New York, NY 10019<br />
February 25, 2009</p>
<p class="style55">Marcin Ramocki's new documentary includes interviews with Ebon Fisher whose information-sharing rituals played an important role in building creative networks of communication in North Brooklyn in the 1990s. Fisher's work appears in the film along with that of many other Brooklyn artists, musicians and writers.<br />
<br />
<br />
<span class="style34"><br />
<br />
</span></p>
<p class="style55"><img src="events/Hyperhive-in-Venice-sm.jpg" width="289" height="212" border="2" /><br />
<span class="style72"><br />
<span class="style89">Ebon Fisher speaking at IT Revolutions, Venice, with projections <br />
of the Nervepool's Hyperhive. Setting: The Refectory of the Convent of <br />
San Salvador (11th & 12th Cent.). Frescoes by Fermo Ghisoni (16th Cent.)</span></span><br />
<br />
</p>
<p class="style90">BANQUET KEYNOTE<br />
IT Revolutions Conference</p>
<p class="style31">Ebon Fisher<br />
December 18, 2008<br />
<br />
<span class="style34">TELECOM ITALIA FUTURE CENTRE</span><br />
San Marco, 4826<br />
Campo San Salvador<br />
Venice, Italy<br />
</p>
<p class="style31">Nervepool.net director, Ebon Fisher, presented his new web system for the Art & Technology program at the College of Arts & Letters, Stevens Institute of Technology. He also discussed his experimental media rituals and "Zoacodes" and premiered the theme song to his transmedia world, the Nervepool. The conference is chaired by computer scientist and Canada Research Chair, Mihaela Ulieru, of the University of New Brunswick and sponsored by the ICST and the IEEE.</p>
<p class="style31"> </p>
<p class="style31"><span class="style34"><br />
</span></p>
<table width="519" height="271" border="0" cellpadding="0" cellspacing="0">
<tr>
<th width="279" class="style71" scope="col"><span class="style80"><img src="events/Brian_Tate_+_Zoacode.gif" width="276" height="240" border="1" align="left" /></span></th>
<th width="249" valign="bottom" class="style71" scope="col"><div align="right"><span class="style80"><img src="events/Full_Spectrum_Audience2.jpg" width="229" height="150" border="1" align="absbottom" /></span></div></th>
</tr>
<tr>
<th height="29" class="style71" scope="row"><div align="left"><span class="style91">Full Spectrum host, Brian Tate, with Zoacode at New York Theater Workshop</span></div></th>
<td class="style71"><div align="right"><span class="style81"><span class="style19">Audience at Full Spectrum</span><br />
photos: Ed Marshall</span></div></td>
</tr>
</table>
<p class="style31"><br />
FULL SPECTRUM PRESENTS:<span class="style77"><br />
</span><span class="style92">THE SKEPTICS Panel Discussion<br />
NEW YORK THEATRE WORKSHOP</span></p>
<p class="style31">Monday, October 27, 2008<br />
<span class="style34">NEW YORK THEATRE WORKSHOP</span><br />
79 E. 4th St., New York, NY 10003<br />
212-780-9037 · www.nytw.org<br />
<a href="http://www.fsexperience.com"><span class="style34">fsexperience.com</span><br />
<span class="style79">.</span><br />
</a>Full Spectrum and New York Theatre Workshop present THE SKEPTICS, a panel discussion with six creators whose work explores the ground between belief and uncertainty. Moderated by poet/historian Jennifer Michael Hecht.</p>
<p class="style31"><img src="events/Full_Spectrum_Panelists.jpg" width="381" height="150" border="1" /><br />
<br />
PANELISTS (in photo left to right)<br />
<span class="style79">.</span><br />
<span class="style34">JENNIFER MICHAEL HECHT <span class="style19">poet/historian, New School (moderator)</span><br />
KYLE JARROW <span class="style19">Obie Award winning writer/musician</span><br />
CHITRA GANESH <span class="style19">visual artist, Saatchi Gallery</span><br />
HELEN WHITNEY <span class="style19">Emmy Award winning filmmaker</span></span><br />
<span class="style34">EBON FISHER</span> transmedia artist, Stevens Institute of Technology<span class="style34"><br />
FAITH ADIELE</span> writer, University of Pittsburgh<br />
</p>
<p class="style31"> </p>
<p class="style31"><br />
</p>
<p class="style31"><img src="Artspace-SPS-Ebon_Fisher.png" alt="Ebon Fisher at ArtSpace" width="476" height="169" /><br />
</p>
<p class="style31"><span class="style92">EBON FISHER'S BIO-POSITIONING SYSTEMS</span><span class="style83"><br />
<span class="style34">Strange Positioning Systems (SPS) at ArtSpace</span></span><br />
<span class="style86">Curated by Caterina Verde</span><br />
<span class="style79">.</span><br />
<span class="style86">Exhibition and lecture<br />
September 25, 2008<br />
ArtSPACE, New Haven, CT</span><br />
</p>
<p class="style31"><span class="style55">A play on GPS tracking technology, STRANGE POSITIONING SYSTEM (SPS) examines the aesthetic, cultural and psychological peculiarities of positioning the self and collective enterprises in a fluid, electronically dislocated environment. Former performance curator for The Kitchen, NYC, and artist-in-residence with the American Center in Paris, Caterina Verde has recently launched SPS at ArtSPACE in New Haven, CT. <br />
<span class="style79">.</span><br />
MORE INFO: <a href="http://www.StrangePositioningSystems.org">StrangePositioningSystems.org</a></span></p>
<p class="style31"> </p>
<p class="style31"> </p>
<p class="style93"><span class="style92">ZOACODE PROJECTIONS<br />
Presented at a Symposium on Bioethics</span><br />
The first of an annual forum on science, technology and values<br />
Sponsored by the College of Arts & Letters, Stevens Institute of Technology<br />
<span class="style79">.</span><br />
April 26, 2008<br />
Babbio Center, 6th & River Streets<br />
Stevens Institute of Technology <br />
Hoboken, NJ</p>
<p class="style31"> </p>
<p class="style31"> </p>
<p class="style31"><span class="style19"><img src="popper_tech-to-virtual.jpg" alt="" width="120" height="154" /></span></p>
<p class="style31"><span class="style92">NEW BOOK by FRANK POPPER: <br />
From Technological to Virtual Art (MIT Press, 2007)</span><br />
<span class="style79">.</span><br />
<span class="style86">New book by veteran historian of the technological arts, Frank Popper, includes<br />
a section on the works of Ebon Fisher (see Bioesthetic Issues, p. 118)</span></p>
<p class="style93"> </p>
<p class="style31"> </p>
<p class="style31"><span class="style92">LEONARDO MAGAZINE</span><span class="style83"><br />
<span class="style86">Special Section on Live Art and the Internet</span><br />
<br />
<span class="style34"><em>WIGGLISM: A Philosophoid Entity Turns Ten</em></span><br />
by Ebon Fisher</span><br />
<span class="style86"><br />
Edited by Martha Wilson, director of the Franklin Furnace (Vol. 40, Issue 1, MIT Press, 2007)</span><br />
<span class="style79">.</span><br />
ABSTRACT: The author describes The Wigglism Manifesto, a work authored amidst the fury of early exchange on the World Wide Web. The term Wigglism refers to a quality shared by biological and artificial life forms alike. The manifesto has taken an open-source approach to its cultivation, allowing numerous voices to nurture the entity into being. This collective approach to truth cultivation embodied by the manifesto was inspired in part, by the author's experiences with community-based media rituals in the North Brooklyn community before it gentrified in the mid-1990s. The project has affirmed its initiator's sense that cultivating a living system can be a vital alternative to traditional creative practices more aligned with manufacturing and commerce. See: <a href="http://www.leonardo.info/isast/journal/toc401.html">Leonardo On-Line</a></p>
<p class="style31"> </p>
<p class="style31"><br />
</p>
<p class="style31"><span class="style19"><img src="Neuro-Mysterium-7k.jpg" alt="" width="174" height="130" /></span></p>
<p class="style31"><span class="style92">A GLIMPSE INTO THE NERVEPOOL</span><span class="style86"><br />
<span class="style34">An installation which absorbed a few students<br />
from the University of the Arts into <br />
Ebon Fisher's Nervepool</span></span><span class="style34"><br />
<span class="style79">.</span><span class="style86"><br />
</span></span><span class="style86">Lecture and Exhibit<br />
October 12 - November 2, 2006<br />
GALLERY 817<br />
University of the Arts<br />
Philadelphia</span></p>
<p class="style31"> </p>
<p class="style31"> </p>
<p class="style31"><span class="style19"><img src="Hyperhive-Ibis-Oval-blur-8k.jpg" alt="" width="221" height="186" /></span></p>
<p class="style59"><span class="style83">THE NERVEPOOL: </span><br />
<span class="style86">How Collective Media Rituals in Brooklyn Evolved into <br />
a Transmedia Sanctuary for Multispecies Communion</span></p>
<p class="style93">Lecture by Ebon Fisher, September 26, 2006<br />
<span class="style79">.</span><br />
IN-FLUX SPACE<br />
University of Minnesota <br />
Minneapolis, MN</p>
<p class="style31"> </p>
<p class="style31"> </p>
<p class="style31"><a href="Signal_Strangely/Signal_Strangely_Project.htm" target="_blank"><img src="Andrei-Oval-Itinerary.jpg" alt="" width="360" height="210" border="0" /></a></p>
<p class="style31"><span class="style34"><span class="style83">CODING CODRESCU </span><br />
<span class="style86">A Collaboration Between Ebon Fisher<br />
and NPR Essayist, Andrei Codrescu<br />
<span class="style19">March, 2006 </span></span></span><br />
<br />
<a href="Signal_Strangely/Signal_Strangely_Project.htm">LINK TO PROJECT</a><br />
</p>
<p class="style31"> </p>
<p class="style31"> </p>
<p class="style31"><img src="ARTSPACE-New-Haven.jpg" alt="" width="295" height="75" border="1" /></p>
<p class="style59"><span class="style83">CONFINEMENT & THE ART OF DECORATION</span><br />
<span class="style86">Habitats by Caterina Verde, Elise Martens & Gloria Zein <span class="style77"><br />
<span class="style79">.</span><br />
</span></span><span class="style87">January 28 - March 18, 2006<br />
<span class="style34">Catalogue essay, "From Plumage to Plunder," by Ebon Fisher </span><br />
ARTSPACE, New Haven, Connecticut, USA </span></p>
<p class="style31"> </p>
<p class="style31"><br />
</p>
<p class="style31"><big><em><strong><big><small><small><big><em><strong><big><small><small><big><img src="UNI-FULL-INSTALLATION2.jpg" alt="" width="437" height="143" border="0" /></big></small></small></big></strong></em></big></small></small></big></strong></em></big></p>
<p class="style31"><span class="style34"><span class="style83">TRANSFORMATIONS IN THE NERVEPOOL</span><br />
<span class="style86">The Rituals & Zoacodes of Ebon Fisher </span></span></p>
<p class="style31"><span class="style86">January 9th - February 3rd, 2006 <br />
A Retrospective of Works by Ebon Fisher<br />
UNIVERSITY OF NORTHERN IOWA <a href="http://www.uni.edu/artdept/gallery/Fisher.html">GALLERY OF ART</a> <br />
Cedar Falls, Iowa. <br />
Darrell Taylor, Director</span><br />
<span class="style79">.</span><br />
<em>PRESS</em> <br />
KWWL TELEVISION: Interview with gallery director, Darrell Taylor<br />
THE WATERLOO CEDAR FALLS COURIER: "<a href="http://www.wcfcourier.com/articles/2006/01/15/features/lifestyles/d06c5913ca24c81d862570f40056353d.txt">Ebon Fisher creates primordial soup of art, biology and new media</a>"<br />
THE NORTHERN IOWAN: "<a href="http://fp.uni.edu/northia/article2.asp?ID=4304&SECTION=3">Art exhibit features building blocks of life</a>"<br />
CESIUM MAGAZINE: "<a href="http://www.cesium-online.com/index.html">The Nervepool Continued</a>"<br />
</p>
<p class="style31">ABOVE: Zoacode Sanctuary with 6 slide projections and ambient music video</p>
<p class="style31"> </p>
<p class="style31"> </p>
<p class="style31"><span class="style92">ABC NO RIO 25th ANNIVERSARY BENEFIT<br />
Deitch Projects</span><br />
<span class="style86">October 20, 2005<br />
18 Wooster Street, New York City<br />
<span class="style79">.</span><br />
SILENT AUCTION including work by Ebon Fisher, Carl Andre, Hans Haacke, Mike Bidlo, Kathe Burkhart, Eric Drooker, Mike Estabrook, Fly, GRRRR.net, Vandana Jain, Joseph Nechvatal, Claes Oldenburg, Yoko Ono, Kiki Smith, Seth Tobocman, Anton Van Dalen and many others. PERFORMANCES by the Hungry Marching Band and guest DJs Dan Cameron and Carlo McCormick.</span></p>
<p class="style31"> </p>
<p class="style31"><br />
</p>
<p class="style31"><img src="3prong_TSite.GIF" alt="" width="181" height="135" border="1" /></p>
<p class="style31"><span class="style92">EBON FISHER: PUBLIC LECTURE</span><br />
<span class="style86">April 27th, 2005<br />
<span class="style79">.</span><br />
FRED JONES JR. MUSEUM OF ART <br />
University of Oklahoma<br />
Oklahoma City, Oklahoma, USA</span><br />
<span class="style79">.</span><br />
<em>PRESS</em><br />
THE OKLAHOMA DAILY "<a href="http://www.oudaily.com/vnews/display.v/ART/2005/04/27/426fa3eda29c5">Cyber Artist Brings His Culture to Oklahoma University</a>"</p>
<p class="style31"> </p>
<p class="style31"> </p>
<p class="style31"><big><small><small><small><img src="Drexel_POSTER.jpg" alt="" width="180" height="278" border="1" /></small></small></small></big></p>
<p class="style59"><span class="style87">Ebon Fisher, 2005 Marjorie Rankin Scholar-in-Residence</span><br />
<span class="style86">LARVAL ZOACODES OF THE NERVEPOOL </span></p>
<p class="style93"><span class="style34">LEONARD PERLSTEIN GALLERY</span><br />
March/April, 2005 <br />
Nesbitt Hall, Drexel University<br />
33rd & Market Streets, Philadelphia</p>
<p class="style31"><br />
</p>
<p class="style31"> </p>
<p class="style31">Inliquid.com Presents</p>
<p class="style31"><a href="http://inliquid.com/hyper-runt" target="_blank"><img src="Hyper-Runt-icon.jpg" alt="" width="114" height="120" border="0" /></a></p>
<p class="style59"><span class="style83">HYPER-RUNT</span><br />
<span class="style86">Co-curated by Ebon Fisher & Emily Zimmerman</span></p>
<p class="style31">THE NATIONAL BUILDING & <a href="http://inliquid.com/hyper-runt">ONLINE</a> <br />
Philadelphia Fringe Festival<br />
Oct. 8 -14,
2004<br />
<span class="style79">.</span><br />
RUNAWAY DIGITAL PHENOMENA BY<br />
Bigtwin, Shawn Brixey, David Brody, Bradley Eros, klip//collective,<br />
Ken Goldberg, Natalie Jeremijenko, Yael Kanarek, Mark Napier, MTAA,<br />
Joseph Nechvatal, neuroTransmitter, and Caterina Verde.<br />
<span class="style79">.</span><br />
<a href="http://inliquid.com/hyper-runt">EXHIBIT ONLINE</a> with essay by Ebon Fisher</p>
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<p class="style31"><img src="Simpson_Larval_Install2.jpg" alt="" width="334" height="200" /></p>
<p class="style59"><span class="style83">LARVAL ZOACODES</span><br />
<span class="style86">Experiments in Human Coding by Ebon Fisher</span><span class="style77"><br />
<span class="style79">.</span><br />
</span><span class="style19">Curated by Justin Nostrala <br />
FARNHAM GALLERIES<br />
April 5 - 30, 2004<br />
Simpson College<br />
Indianola, Iowa, USA</span></p>
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<p class="style31"><img src="ZOACODE_Lille_OVAL_dark.gif" alt="" width="398" height="138" /></p>
<p class="style31"><span class="style94"><span class="style83">UNFURL A SYSTEM OF LOVE </span><br />
Projections of Zoacodes at the Lille Arts Festival</span><br />
Lille,
France, November, 2004<br />
Part of a project by Robert Elmes for Monde Parallele - New York<br />
<span class="style79">.</span><br />
ABOVE: Projections by Bradley Eros and Robert Elmes are to the left and right of Zoacode</p>
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<p class="style31"><img src="P.S.1_Zcode-OVAL.gif" width="356" height="172" /></p>
<p class="style31"><span class="style34"><span class="style83">EQUALIZE SEDUCTION </span><br />
<span class="style86">Zoacode at P.S.1/MOMA, 2000 </span></span><br />
<span class="style79">.</span><br />
Event in the PS1 Sculpture Garden curated by Robert Elmes </p>
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<th width="109" scope="col"><div align="right"><font color="#000000"><font color="#007697"><a href="http://www.cafeshops.com/nervethings" target="_blank">T H I N G S<br />
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</a></font></font></div></th>
<th width="127" scope="col"><font color="#007697"><a href="index.html" onmouseout="MM_swapImgRestore()" onmouseover="MM_swapImage('Image5','','FLON100B-txt-prongs!.jpg',1)"><img src="=FLON100B-txt-MINI.gif" alt="" name="Image5" width="100" height="110" border="0" id="Image5" /></a><br />
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<th width="106" scope="col"><p align="left"><a href="mailto:[email protected]">S I G N A L S</a><br />
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<p class="style31 style40">__________________<br />
© Ebon Fisher 2011</p></th>
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