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<BLOCKQUOTE>
<FONT SIZE="3" COLOR="#000000" FACE="Arial,Helvetica,sans-serif"><B>Hopkins, Budd (Elliott Budd)</B>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Abstract Expressionist<BR>
(wife  Carol Rainey)<BR>
b. June, 15, 1931 Wheeling, West Virginia, U.S.A.<P>

<B>Address<BR>
</B>246 West 16th St.<BR>
New York City,  New York 10011<BR>
telephone  212 989-5108<BR>
fax 212  352-1778<BR>
<A HREF="MAILTO:[email protected]">[email protected]</A><P>

<B>Preferred Media<BR>
</B>oil, collage, sculpture<P>

<B>Education and Training<BR>
</B>Oberlin College, B.A. 1953<P>

<DL>
<B>Selected Individual Exhibitions</B><BR>
1997 Long Point Gallery, Provincetown, MA (And 1978,1980,1982,1985,1987, 1990, 1993)<BR>
1990 Drew University, Madison New Jersey, sculpture<BR>
1988, Marilyn Pearl Gallery, N.Y.C. (and 1985)<DT></DT><DD>
    Jan Cicero Gallery, Chicago, IL.</DD><BR>
<DT></DT>
1987, Emilson Gallery, De Pauw University, Greencastle, IN. <BR>
1985, Marilyn  Pearl Gallery, N.Y.C.<DT></DT><DD>
          Jan Cicero Gallery, Chicago, IL.<BR>
          Keystone Junior College, La Plume, PA.<BR>
          Denison University, Granville, OH.</DD><BR>
<DT></DT>
1982, Lerner-Heller Gallery, N.Y.C. (And 1978, 1980, 1981)<DT></DT><DD>
    University of Vermont, Burlington, VT</DD><BR>
<DT></DT>
1981, Fedele Fine Arts, Print Retrospective, N.Y.C.<DT></DT><DD>
          Colburn Gallery, Univ. of Vermont, Burlington, VT.</DD><BR>
<DT></DT>
1978, Andre Zarre Gallery, Early work. N.Y.C.<DT></DT><DD>
          Johnson Gallery, Middlebury College, VT.</DD><BR>
<DT></DT>
1977, Pelham-von Stoffler Gallery, Houston, TX.<BR>
1975, William Zierler Gallery, N.Y.C. (And 1972-1974).<DT></DT><DD>
          Tirca Karlis Gallery, Provincetown, MA. (And 1958, 1960, 1962-1974).</DD><BR>
<DT></DT>
1974, Galerie Liatowitsch, Basel, Switzerland.<DT></DT><DD>
          Weatherspoon Art Gallery, Univ. of N. Carolina, Greensboro, NC.<BR>
          Kresge Art Center, Michigan State Univ., East Lansing, MI.</DD><BR>
<DT></DT>
1973, Huntington Galleries, Major Retrospective. Huntington, W.V.<BR>
1971, Poindexter Gallery, N.Y.C. (And 1956, 1962, 1963, 1966, 1967, 1969).<BR>
1968, Philips Exeter Academy, Exeter, N.H.<BR>
1967, Reed College, Portland, OR.<BR>
1966, Obelisk Gallery, Boston, MA. (And 1964).<BR>
1965, Bradford Junior College, Bradford, MA.<BR>
1963, Kasha Heman Gallery, Chicago, IL. (And 1962).<BR>
1959, Zabriskie Gallery, N.Y.C.<P>
</DL>

<DL>
<B>Selected Group Exhibitions<BR>
</B>1998, Nardin gallery, NYC &quot;A Salute to the Long Point Gallery &quot;<DT></DT><DD>
          Provincetown Art Association and Museum, Provincetown, MA &quot;Long Point Gallery&quot;<BR>
     Cape Museum of Fine Arts, Dennis, MA &quot;A Tribute to the Long Point Gallery&quot;</DD><BR>
<DT></DT>
1988, &quot;Living Tradition: Selections from the American Abstract Artists,&quot;<DT></DT><DD>
          Voaasa,  Rovanienni and Joensuu Museums, Finland.</DD><BR>
<DT></DT>
1987, &quot;Recent Acquisitions,&quot; Solomon R. Guggenheim Museum, N.Y.C.<DT></DT><DD>
          &quot;American Abstract Artists,&quot; City Gallery, N.Y.C.</DD><BR>
<DT></DT>
1986, &quot;American Abstract Artists - 1936-1986,&quot; Bronx Museum of the Arts, N.Y.C.<DT></DT><DD>
          &quot;Crosscurrents,&quot; Guild Hall Museum, East Hampton, N.Y.<BR>
          &quot;Celestial Installations,&quot; Provincetown Art Association and Museum,          Provincetown, MA.<BR>
          &quot;The Severe and the Romantic: Geometric Humanism in American Painting,                  1950s and 1980s,&quot; Marilyn Pearl Gallery, N.Y.C.</DD><BR>
<DT></DT>
1985, &quot;A Rational Imperative,&quot; Sculpture Center, N.Y.C., and the Ben Shahn Gallery,<DT></DT><DD>William Paterson College, N.J.<BR>
          &quot;Crossovers: Artists in Two Mediums,&quot; Bennington College, Bennington, VT.</DD><BR>
<DT></DT>
1984, &quot;American Postwar Purism,&quot; Marilyn Pearl Gallery, N.Y.C.<DT></DT><DD>
          &quot;The Ways of Wood,&quot; Sculpture Center, N.Y.C.<BR>
          &quot;Swimming and Other Pools,&quot; Getler/Paul/Saper, N.Y.C.<BR>
          &quot;Varieties of Sculptural Ideas,&quot; Max Hutchinson Gallery, N.Y.C.</DD><BR>
<DT></DT>
1983, &quot;Bridges,&quot; Pratt Institute. Large site-specific work in Fort Greene Park, Brooklyn, N.Y.<DT></DT><DD>
          &quot;American Abstract Artists,&quot; Weatherspoon Art Gallery, Greensboro, N.C.; The Art Gallery,<BR>
          University of Alabama, Tuscaloosa, AL.</DD><BR>
<DT></DT>
1982, &quot;The Americans: The Collage,&quot; Contemporary Arts Museum, Houston, TX.<DT></DT><DD>
          &quot;Eccentric Constructivism,&quot; Jan Cicero Gallery, Chicago, IL.<BR>
          &quot;The New Spiritualism,&quot; Fleming Museum, Burlington, VT.</DD><BR>
<DT></DT>
1981, &quot;The New Spiritualism,&quot; Jorgensen Gallery, Univ. of Connecticut, Storrs, CT.,<DT></DT><DD>
          and Oscarsson Hood Gallery, N.Y.C.<BR>
          &quot;All in Line,&quot; Dintenfass Gallery, N.Y.C.</DD><BR>
<DT></DT>
1980, &quot;All in Line,&quot; Lowe Art Gallery, Syracuse, N.Y.<DT></DT><DD>
          &quot;Geometric Tradition in American Painting 1920-1980,&quot; Rosa Esman Gallery, N.Y.C.</DD><BR>
<DT></DT>
1979, &quot;Collage: American Masters,&quot; Montclair Art Museum, Montclair, N.J.<DT></DT><DD>
          &quot;American Abstract Artists: The Language of Abstraction,&quot; Betty Parsons   Gallery, N.Y.C.</DD><BR>
<DT></DT>
1975, &quot;Forms of Color,&quot; Akron Art Institute, Akron, OH.<DT></DT><DD>
          &quot;Images of Power, Sources of Energy,&quot; Neuberger Museum, Purchase, N.Y.<BR>
          &quot;Two Decades of American Painting,&quot; Solomon R. Guggenheim Museum,  N.Y.C.</DD><BR>
<DT></DT>
</DL>
<P>
<B>Selected Public Collections<BR>
</B>Boston Museum of Fine Arts<BR>
British Museum, London<BR>
Brooklyn Museum of Art, NYC<BR>
Carnegie-Mellon Art Museum, Pittsburgh, PA.<BR>
Corcoran Gallery, Washington, D.C.<BR>
Delaware Art Museum, Wilmington, DE.<BR>
Solomon R. Guggenheim Museum, N.Y.C.<BR>
Joseph Hirshhorn Museum and Sculpture Garden, Washington, D.C.<BR>
Metropolitan Museum, NYC<BR>
Museum of Modern Art, NYC<BR>
Newark Museum, Newark, N.J.<BR>
San Francisco Museum of Art, San Francisco, CA.<BR>
Whitney Museum of American Art, N.Y.C.
<P>
<B><P>Selected Awards<BR>
</B>New York State Council on the Arts, Special Project Grant, 1982<BR>
National Endowment for the Arts, Fellowship for Painting, 1979<BR>
John Simon Guggenheim Fellowship for Painting, 1976
<P>
<B>Professional Organizations<BR></B>
American Abstract Artists
<P>
<B>Selected Bibliography</B><BR>
<I>Sacred Spaces: The Book of Temples, The Book of Guardians, The Book of Altars</I>,  printed by the artist, New York, 1982. 24 pages, 42 illustrations.<BR>
<I>Budd Hopkins Paintings: Collages</I>, Cultural Activities Center, Temple, Texas, 1979. Texts by Robert Motherwell and Charlotte Moser.<BR>
<I>Budd Hopkins Assembled Paintings</I>, Lerner-Heller Gallery and Pelham-von Stoffler             Gallery, Houston, 1977.  Text by Carter Ratcliff.<BR>
<I>Budd Hopkins Retrospective Exhibition 1957-1972</I>, Huntington Galleries, Huntington, W.       VA., 1972.  Text by April Kingsley.<BR>
<I>Budd Hopkins: Recent Paintings</I>, Obelisk Gallery, Boston, 1966. Text by Brian   O&acute;Doherty.
<P>
<B>Articles by the Artist</B><BR>
New England Review, Spring, 1977, "Modernism and the Collage Esthetic"<BR>
Provincetown Arts, June, 1986, &quot;The Collages of Fritz Bultman.&quot;<BR>
Drawing, March-April 1984, &quot;DeKooning&acute;s Drawings.&quot;<BR>
Artforum, Summer 1979, &quot;Franz Kline&acute;s Color Abstractions: Remembering and Looking       Afresh.&quot;<BR>
Art In America, March-April 1978, Contribution to the Cezanne Symposium.<BR>
Artforum, March 1977, &quot;Richard Diebenkorn Reconsidered.&quot;<BR>
Artforum, Dec. 1976, &quot;The New Works of Frank Stella: A Personal Note.&quot;<BR>
Artforum, Summer 1976, &quot;An Ad For Ad As Ad: The Collected Writings of Ad                   Reinhardt.&quot;<BR>
Communiculture, Summer 1976, &quot;Modernism and the Collage Esthetic.&quot;<BR>
Artforum, January 1976, &quot;A Note on Composite Imagery The Photographs of Barbara Jo Revelle.&quot;<BR>
Artforum, January 1976, Five Reviews: Samaras, Ferrer, Lichtenstein, Ashbaugh, Grillo.<BR>
Artforum, April 1975, &quot;A Proposal for the Museum of Modern Art.&quot;<BR>
Artforum, March 1975, Letter on Piet Modrian.
<P>
<B>Selected Articles and Exhibition Reviews<BR>
</B>Ashberry, John, Art News, March 1958, Review.<BR>
Baur, John I. H., and Goodrich Lloyd, Young America 1960, Praeger, N.Y., 1960.<BR>
Brenson, Michael, New York Times, July 8, 1983, &quot;Sculpture of Summer is in Full Bloom.&quot;
Brenson, Michael, New York Times, Jan. 6, 1984, Review.<BR>
Brenson, Michael, New York Times, Jan. 18, 1985, &quot;Six Sculptors Display A Rational Imperative.&quot;Cathcart, Linda L., The Americans: The Collage, Contemporary Arts Museum, Houston, Texas, 1982.<BR>
Frank, Peter, Kresge Art Center Bulletin, April 1974, &quot;Budd Hopkins: The Works on Paper.&quot;
Genauer, Emily, New York Herald Tribune, June 2, 1963, &quot;Acquisitions at the Whitney.&quot;
Glueck, Grace, The New York Times, August 1, 1984, &quot;Family: Revived Art on Cape Cod.&quot;
Hirshhorn, Joseph, Whitney Review, 1961/62, Statement on the artist.<BR>
Kramer, Hilton, The New York Times, May 13, 1977, Review.<BR>
Kramer, Hilton, The New York Times, March 24, 1978, Review.<BR>
Lloyd, Ann, The Review, Nov., Dec., 1987, &quot;Religion and Art.&quot;
McDarrah, Fred, The Artists World, E.P. Dutton, N.Y., 1961.<BR>
Moser, Charlotte, Houston Chronicle, Sept. 25, 1977. Review.<BR>
Motherwell, Robert, Introduction to Exhibition Catalogue, Cultural Activities Center, Temple, Texas, 1979.<BR>
Nemser, Cindy, Arts, March, 1969, Review.<BR>
O&acute;Doherty, Brian, Object and Idea: An Art Critic&acute;s Journal, 1961-67, Simon &amp; Schuster, N.Y., 1967, &quot;Budd Hopkins: Master of a Movement Manque.&quot;
Perrault, John, Soho Weekly News, May 14, 1980, &quot;Altar Buoyant.&quot;
Preston, Stuart, The New York Times, Sept., 16, 1956, Review.<BR>
Ratcliff, Carter, Art In America, &quot;The Distractions of Theme,&quot; Nov., 1981.<BR>
Ratcliff, Carter, Art In America, Sept.-Oct. 1978, Review.<BR>
Raynor, Vivian, The New York Times, May 26, 1978, Review.<BR>
Rose, Barbara, New York Magazine, May 1, 1972, Review.<BR>
Rosenberg, Harold, Arts News Annual, 1959, &quot;Tenth Street: A Geography of Modern Art.&quot;
Russell, John, The New York Times, Feb. 5, 1982, Review.<BR>
Russell, John, The New York Times, May 9, 1980, Review.<BR>
Sawin, Martica, Arts, Oct., 1956, Review.<BR>
Schjeldahl, Peter, The Village Voice, Sept. 14, 1982, &quot;Spacey Invaders.&quot;
Schuyler, James, Art News, Feb., 1959, Review.<BR>
Tucker, Marcia, Art News, April, 1967, Review.<BR>
Tully, Judd, Art/World, May 21, 1980, Review.<BR>
Tyler, Parker, Art News, Nov., 1956, Review.<BR>
Zimmer, William, New York Times, (New Jersey Ed.), April 24, 1985, &quot;6 Cool Sulptors at the Ben Shahn.&quot;
<P>
<B>Artist Statement<BR>
</B>Provincetown Arts, Summer, 1987, &quot;The Observer as Intruder: Budd Hopkins on Sculpture and UFOs,&quot; A Conversation with April Kingsley.<BR>
Artforum, Sept. 1975, &quot;Remarks on their Medium by Four Painters.&quot;
<BR>
Art in America, July-August 1973, &quot;Budd Hopkins on Budd Hopkins.&quot;
<BR>Art Now: New York, Vol. 4, No. 2. Statement.<BR>
Arts Magazine, April 1972, &quot;Concept vs. Art Object,&quot; with Douglas Huebler, April Kingsley.<BR>
Baur, John I. H. and Goodrich, Lloyd, Young America 1960, Praeger, N.Y., 1960. Statement.<BR>
Allen Memorial Art Museum Bulletin, Vol. XIV, No. 3, 1956. Statement.
<P>
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